The way Sachs examines a relationship over a few years recalls Bergman’s ‘Scenes from a Marriage’ (1973), while the fictionalisation of his life, with deliberate distancing decisions (such as Erik being Dutch; Sachs is from Memphis) brings to mind the work of Mia Hansen-Løve. This is a cool, interior work (emotionally and literally – Sachs delights in half-lit, moody rooms). Thanks for sharing!

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